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By August, Sun had released 10 sides credited to "Elvis Presley, Scotty and Bill"; the latest recordings included a drummer. 

Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both".[65] 

This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country-music disc jockeys would not play it because Presley sounded too much like a black artist and none of the R&B stations would touch him because "he sounded too much like a hillbilly."[66] 

The blend came to be known as "rockabilly". At the time, Presley was billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash".[67] Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser.[68] 

The group maintained an extensive touring schedule.[69] Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. 

There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him."[70] The trio became a quartet when Hayride drummer Fontana joined as a full member. 

In mid-October, they played a few shows in support of Bill Haley, whose "Rock Around the Clock" track had been a number-one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.[71] 

At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist.[72] After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with RCA Victor on November 21 to acquire Presley's Sun contract for an unprecedented $40,000.[73][c] 

Presley, aged 20, was legally still a minor, so his father signed the contract.[74] Parker arranged with the owners of Hill & Range Publishing, Jean and Julian Aberbach, to create two entities, Elvis Presley Music and Gladys Music, to handle all the new material recorded by Presley. 

Songwriters were obliged to forgo one-third of their customary royalties in exchange for having Presley perform their compositions.[75][d] By December, RCA had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.[78] 

1956–1958: commercial breakout and controversy First national TV appearances and debut album Billboard magazine advertisement, March 10, 1956 On January 10, 1956, Presley made his first recordings for RCA Victor in Nashville.[79] 

Extending his by-now customary backup of Moore, Black, Fontana, and Hayride pianist Floyd Cramer—who had been performing at live club dates with Presley—RCA Victor enlisted guitarist Chet Atkins and three background singers, including Gordon Stoker of the popular Jordanaires quartet.[80] 

The session produced the moody "Heartbreak Hotel", released as a single on January 27.[79] Parker brought Presley to national television, booking him on CBS's Stage Show for six appearances over two months. The program, produced in New York City, was hosted on alternate weeks by big band leaders and brothers Tommy and Jimmy Dorsey. 

After his first appearance on January 28, Presley stayed in town to record at RCA Victor's New York studio. The sessions yielded eight songs, including a cover of Carl Perkins' rockabilly anthem "Blue Suede Shoes". 

In February, Presley's "I Forgot to Remember to Forget", a Sun recording released the previous August, reached the top of the Billboard country chart.[81] Neal's contract was terminated and Parker became Presley's manager.[82] 

RCA Victor released Presley's self-titled debut album on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks included two country songs, a bouncy pop tune, and what would centrally define the evolving sound of rock and roll: 

"Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic Robert Hilburn—and three R&B numbers that had been part of Presley's stage repertoire, covers of Little Richard, Ray Charles, and The Drifters. 

As described by Hilburn, these were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&B versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases.[83] 

It became the first rock and roll album to top the Billboard chart, a position it held for ten weeks.[79] While Presley was not an innovative guitarist like Moore or contemporary African American rockers Bo Diddley and Chuck Berry, cultural historian Gilbert B. 

Rodman argued that the album's cover image, "of Elvis having the time of his life on stage with a guitar in his hands played a crucial role in positioning the guitar ... as the instrument that best captured the style and spirit of this new music."[84] 

Milton Berle Show and "Hound Dog" Presley signing autographs in Minneapolis in 1956 On April 3, Presley made the first of two appearances on NBC's The Milton Berle Show. His performance, on the deck of the USS Hancock in San Diego, California, prompted cheers and screams from an audience of sailors and their dates.[85] 

A few days later, Presley and his band were flying to Nashville, Tennessee, for a recording session when an engine died and the plane almost went down over Arkansas.[86] Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number-one pop hit. 

In late April, Presley began a two-week residency at the New Frontier Hotel and Casino on the Las Vegas Strip.[87] The shows were poorly received by the conservative, middle-aged hotel guests, "like a jug of corn liquor at a champagne party", a Newsweek critic wrote.[88] 

Amid his Vegas tenure, Presley, who had acting ambitions, signed a seven-year contract with Paramount Pictures.[89] He began a tour of the Midwest in mid-May, covering 15 cities in as many days.[90] 

He had attended several shows by Freddie Bell and the Bellboys in Vegas and was struck by their cover of "Hound Dog", a hit in 1953 for blues singer Big Mama Thornton by songwriters Jerry Leiber and Mike Stoller. 

It became his new closing number.[91] After a show in La Crosse, Wisconsin, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to FBI director J. Edgar Hoover. 

It warned that Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph.[92] 

Presley's second Milton Berle Show appearance came on June 5 at NBC's Hollywood studio, amid another hectic tour. Milton Berle persuaded Presley to leave his guitar backstage.[93] During the performance, Presley abruptly halted an up-tempo rendition of "Hound Dog" and launched into a slow, grinding version accentuated with exaggerated body movements.[93] 

His gyrations created a storm of controversy.[94] Jack Gould of The New York Times wrote, Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway.[95] 

Ben Gross of the New York Daily News opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos".[96] 

Ed Sullivan, whose variety show was the nation's most popular, declared Presley "unfit for family viewing".[97] To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "childish".[98]