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Two Stars in the Milky Way (simplified Chinese: 银汉双星; traditional Chinese: 銀漢雙星; pinyin: Yínhàn Shuāngxīng), also translated Two Stars on the Silver Screen and known as An Actor and an Actress, is a 1931 film directed by Shi Dongshan for the United Photoplay Service (UPS). 

Based on the eponymous novel by Zhang Henshui, it stars Violet Wong as a country girl who, after being discovered by the Milky Way Film Company, rises to stardom through a Cantonese opera. 

She begins a romance with her co-star, portrayed by Jin Yan, who pushes her aside after being reminded of his filial obligations. The first sound film produced by UPS, Two Stars in the Milky Way featured extensive scenes of music and dance, with dialogue presented through intertitles and songs recorded to a separate medium. 

The screenplay, adapted by Zhu Shilin, featured several departures from the novel in its setting and plot. It also featured elements of metafilm, presenting a self-reflexive take on the filmmaking process as well as cameos by UPS' crew and talent. 

After six months of production and an extensive advertising campaign, the film premièred on 13 December 1931. It is one of few surviving works of early Chinese cinema, though its soundtrack has been lost. 

Plot The composer Li Xudong lives in a rural villa with his daughter Yueying. One day, a production crew from the Milky Way Film Company arrives in the area to shoot their new film. They overhear Yueying singing to her father, and follow the sound of her voice to the family home. Director Gao Qi, enchanted by her voice, suggests that she be cast in a future production. 

Under the premise of using the home as a shooting location, the crew make the family's acquaintance. Over the coming days, Yueying grows intrigued by the film's star, Yang Yiyun. Milky Way sends director Wang to attend a charity performance in which Yueying will perform. 

Greatly impressed, he offers her a starring role in his upcoming film Love's Sorrow in the Eastern Chamber. The Lis relocate to Shanghai, where Yueying begins work. Taking the role of Consort Mei, she is cast alongside Yang Yiyun as Emperor Xuanzong, her character's romantic interest. 

After they finish filming the climactic opera, the crew rushes onstage in celebration. After the conclusion of the shoot, Yueying and Yiyun realize that they have fallen in love. He invites her to dine at the Cathay Sports Club, after which they go mini-golfing. 

On the course, Yiyun is approached by a woman who claims to have been searching for him, much to Yueying's dismay. When she strikes Yueying with a golf ball, they begin fighting, and Yueying storms off. Yiyun later explains that the woman, Chunping, was merely an old friend. 

Yueying makes him promise to avoid such women in the future. Several months later, Yiyun takes Yueying to a banquet commemorating the première of Love's Sorrow in the Eastern Chamber. The two open the festivities with a tango, with Milky Way's crew and talent musing that they are a perfect match. Later, Yiyun and Yueying embrace in the garden. 

News of this spreads rapidly, greatly pleasing Yueying's father. Gao Che, however, takes Yiyun aside and warns him against continuing the relationship, reminding him that he has already taken a wife chosen by his mother. 

Realizing that, despite his romantic feelings he could never make Yueying a second wife, Yiyun leaves the banquet. At home, he is visited by the spectre of his mother, who reminds him of his filial duty to honour his parents' wishes. He thus calls Chunping, asking her to make a sacrifice. 

When the Lis arrive at Yiyun's home, they see the two kissing. A heartbroken Yueying is consoled by her father, who says that they will leave the evils of the city and return to the countryside. Years later, an aged Yiyun travels to Yueying's countryside home. 

He stares at the door, but dares not enter, as she sings a mournful song by her father's empty rocking chair. Production Adapted from the novel by Zhang Henshui, which had been serialized in the Huabei Huabao between 1928 and 1929.[2] 

Two Stars in the Milky Way was produced by the United Photoplay Service (UPS) between May and September 1931.[3] Shi Dongshan served as director;[3] he had previously produced a series of melodramas and costume dramas. 

Zhu Shilin served as screenwriter, while Zhou Ke was cinematographer.[4] A black-and-white image of a group of young women holding flags on stage The UPS Follies featured in the film's revue sequence. Two Stars in the Milky Way was UPS' first attempt to make a sound film.[5] 

Sound technology had gained popularity through imported works, and the Mingxing Film Company had recently employed it for Sing-Song Girl Red Peony (1931).[6] Ultimately, UPS produced a hybrid of silent and sound techniques.[5] 

Intertitles, presented in an art deco font, were provided in Chinese and English to provide exposition and communicate dialogue.[7] Sound-on-disc technology, meanwhile, was used for the soundtrack, with phonographic recordings being played at certain points during screening.[5] 

As with other early Chinese sound films, particular prominence was given to the sung voice; while dialogue was presented through intertitles, songs were presented as audio.[8] Four musicians were credited as musical advisors for Two Stars in the Milky Way. 

The film's Cantonese items were overseen by Gao Yupeng, a prominent yangqin musician. Western-style music was provided by Li Jinhui and used for the two revue scenes as well as the tango;[9] he also provided the film's theme music.[10] 

Further music was provided by Xiao Youmei, the president of the National Institute for Music.[11] The tango was accompanied by the Carlton Theatre Orchestra, under conductor A. Richter.[12] Support was provided by a singing-and-dancing troupe called the UPS Follies;[3] this troupe was trained by Li Jinhui's daughter, Minghui [zh], and had begun as the Bright Moon Song and Dance Troupe. It consisted mostly of girls between the ages of fifteen and nineteen.[13] 

The lead female role was played by Violet Wong, a songstress who had toured with the Lis.[14] Screenwriter Zhu recalled that Wong had greatly resembled the "innocent young protagonist who gains fame through her distinctive singing and dancing", such that viewers perceived the film as a biopic.[15] 

In an interview, Wong described herself as having worked tirelessly researching Cantonese opera, as a result of which UPS described her as "breathing new life and voice into the show".[16] Yang Yiyun was portrayed by Jin Yan,[3] who had previously appeared in such UPS films as Love and Duty and The Peach Girl (both 1931) and gained a reputation for his debonair good looks.[17] 

Further credits for the film included Wang Cilong, a director with UPS, as the eponymous Director Wang;[18] Gao Zhanfei [zh] as Director Gao; Ye Juanjuan as Chunping;[19] Zong Weigeng, credited as V. K. Chang, as Li Xudong; and Liu Jiqun as an assistant director.[20] 

Set pieces, designed by Fang Peilin, mixed art deco with traditional Chinese motifs.[21] Contemporary reviews reported that 6,000 yuan (equivalent to ¥534,000 in 2019) had been spent on set design, more than the total budgets of some contemporary films.[22] 

Costumes varied, and included imperial garb as well as modern qipao.[23]