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Two Stars in the Milky Way placed great emphasis on its musical performances. Advertisements described the film with phrases such as "Dance and Sound Mega-Film",[45] and although the soundtrack itself has been lost, reviews of contemporary coverage have allowed a reconstruction.[46] 

The film is known to have included six musical interludes.[47] Its first song is "Raindrops on a Banana Leaf",[25] performed by Yueying for her father in the comfort of their home.[48] 

A later sequence, in which the Milky Way crew attend a revue to scout Li Yueying, includes a march set to the tune of Li Jinhui's "Strive" (努力) and performed by the Follies, which is followed immediately by Yueying's Egyptian-style dance. 

Static shots in long takes are used, intermixed with cross-cuts to the ecstatic crew.[49] A fourth sequence is a five-minute solo performed by Yueying as Consort Mei, shot in takes that last up to eighty seconds.[50] 

The fifth sequence, the tango, is presented in the film as being conducted by Nie Er and interspersed with crosscuts to UPS crew and talent.[12] The final sequence occurs towards the end of the film, in which an aged Yueying reprises "Rain on a Banana Leaf", unknowingly overheard by Yiyun.[51] 

Jean Ma describes Two Stars in the Milky Way as using explicitly staged musical performances as "a compelling diegetic pretext for the inclusion of musical attractions".[52] Viewers are at times transported to the opera and the revue stage, providing a varied mise-en-scène that highlights the film's intermedia characteristics.[48] 

Conversely, the first "Raindrops on a Banana Leaf" sequence employs dynamic shots that alternate between inside and outside the Li family home.[53] At the same time, it is set apart by its effects, as it "literally stops the two actors in their tracks and thus brings to a halt the film shoot that is in process."[54] 

Such sequences are expanded by depictions of sound media, including phonographs and radio broadcasts,[55] and further enhanced by the rhythmic physicality of visual activities such as footsteps and a rocking chair.[47] 

As the sound-on-disc technology used for Two Stars in the Milky Way required the manual synchronization of the film and its soundtrack, audience experiences would have varied between venues and showings.[55] To facilitate synchronization, the recorded music and vocals were compressed from 78 rpm to 33⅓ rpm – equivalent to the 24 fps of film projection – though this came with a loss of audio quality.[9] 

Nonetheless, true synchronization could not be guaranteed, and thus none of the singing scenes are shot as close-ups.[56] Release and reception Two Stars in the Milky Way was advertised heavily for several months.[3] 

Part of the advertising campaign was a reissue of the novel, with a new foreword by Zhu Shilin about the adaptation process. Advertisements emphasized the source novel, with its author Zhang Henshui prominent in both marketing material and the opening credits.[57] 

The film premièred at the Nanjing Theatre in Shanghai on 13 December 1931,[3] and was billed as the company's first sound film.[29] Phonographic recordings of Wong's performances were released through the Great China Record Company.[58] 

Critical reviewers generally praised Wong's vocal performance,[59] but found that the overall sound quality was lower than that of earlier domestic productions.[60] Wong was praised in Yingxi Zazhi magazine for her rendition of "Raindrops on a Banana Leaf", describing it as "a lyrical invocation of the romantic beauty of the south".[61] 

Response to the opera scene was mixed, with some reviewers deeming the work to have been well-integrated into the film, while others decried it as forced and dull.[62] A review in the Dajing Bao described the film as lacking, writing, "the structure is not good, the scenes are not good, the photography is not good, and the expressions of the actors are not good".[63] 

Two Stars in the Milky Way is one of the few early Chinese films to have survived into the present day; most have been lost. Its original soundtrack, recorded separately, has been lost.[8] 

The sinologist Christopher G. Rea described Two Stars in the Milky Way as deserving special mention for its artistic and historical significance,[64] and the Taiwanese filmmaker Ang Lee described the film as a major influence on his Father Knows Best trilogy.[27] 

The film has seen several releases on home video. A VCD edition, without audio, was released in China in 2000.[65] A DVD edition of the film was later issued, with a new soundtrack.[66] A double feature edition, in which the film was paired with Bu Wancang's A Spray of Plum Blossoms (1931), was released by the Los Angeles-based Cinema Epoch in 2007.[67] 

This edition featured a soundtrack by Toshiyuki Hiraoka, with the opera scenes overdubbed with excerpts from Bai Guang's performance of "Ten Sighs".[68]