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The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's The Steve Allen Show in New York. Allen, no fan of rock and roll, introduced a "new Elvis" in a white bowtie and black tails. 

Presley sang "Hound Dog" for less than a minute to a basset hound wearing a top hat and bowtie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd ... [he] set things up so that Presley would show his contrition".[99] 

Allen later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and worked him into the "comedy fabric" of his program.[100] 

Just before the final rehearsal for the show, Presley told a reporter, "I don't want to do anything to make people dislike me. I think TV is important so I'm going to go along, but I won't be able to give the kind of show I do in a personal appearance."[101] 

Presley would refer back to the Allen show as the most ridiculous performance of his career.[102] Later that night, he appeared on Hy Gardner Calling, a popular local television show. 

Pressed on whether he had learned anything from the criticism of him, Presley responded, "No, I haven't... I don't see how any type of music would have any bad influence on people when it's only music. ... how would rock 'n' roll music make anyone rebel against their parents?"[96] The next day, Presley recorded "Hound Dog", "Any Way You Want Me" and "Don't Be Cruel". 

The Jordanaires sang harmony, as they had on The Steve Allen Show; they would work with Presley through the 1960s. A few days later, Presley made an outdoor concert appearance in Memphis, at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight."[103] 

In August, a judge in Jacksonville, Florida, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order.[104] 

The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for eleven weeks—a mark that would not be surpassed for 36 years.[105] Recording sessions for Presley's second album took place in Hollywood in early September. Leiber and Stoller, the writers of "Hound Dog", contributed "Love Me".[106] 

Allen's show with Presley had, for the first time, beaten The Ed Sullivan Show in the ratings. Sullivan booked Presley for three appearances for an unprecedented $50,000.[107] The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience.[108] 

Actor Charles Laughton hosted the show, filling in while Sullivan was recovering from a car accident.[97] According to legend, Presley was shot only from the waist up. 

Watching clips of the Allen and Berle shows, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants—so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a Coke bottle. ... We just can't have this on a Sunday night. 

This is a family show!"[109] Sullivan publicly told TV Guide, "As for his gyrations, the whole thing can be controlled with camera shots."[107] In fact, Presley was shown head-to-toe. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted with screams.[110][111] 

Presley's performance of his forthcoming single, the ballad "Love Me Tender", prompted a record-shattering million advance orders.[112] More than any other single event, it was this first appearance on The Ed Sullivan Show that made Presley a national celebrity.[97] 

Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. The historian Marty Jezer wrote that Presley began the "biggest pop craze" since Glenn Miller and Frank Sinatra and brought rock and roll to mainstream culture: 

As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture.[113] 

Crazed crowds and film debut Elvis performing on stage Presley performing live at the Mississippi-Alabama Fairgrounds in Tupelo, September 26, 1956 The audience response at Presley's live shows became increasingly fevered. 

Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time."[114] At the two concerts he performed in September at the Mississippi–Alabama Fair and Dairy Show, fifty National Guardsmen were added to the police detail to prevent a ruckus.[115] 

Elvis, Presley's second RCA Victor album, was released in October and quickly rose to number one. The album includes "Old Shep", which he sang at the talent show in 1945, and which now marked the first time he played piano on an RCA Victor session. According to Guralnick, "the halting chords and the somewhat stumbling rhythm" showed "the unmistakable emotion and the equally unmistakable valuing of emotion over technique."[116] 

Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through Elvis, rock critic Dave Marsh wrote that "these records, more than any others, contain the seeds of what rock & roll was, has been and most likely what it may foreseeably become."[117] 

"We're gonna do a sad song ..." Duration: 30 seconds.0:30 Presley's definition of rock and roll included a sense of humor—here, during his second Sullivan appearance, he introduces one of his signature numbers. 

Problems playing this file? See media help. Presley returned to The Ed Sullivan Show, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and St. Louis burned him in effigy.[97] 

His first motion picture, Love Me Tender, was released on November 21. Though he was not top-billed, the film's original title—The Reno Brothers—was changed to capitalize on his latest number-one record: "Love Me Tender" had hit the top of the charts earlier that month. 

To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The film was panned by critics but did very well at the box office.[89] Presley would receive top billing on every subsequent film he made.[118] 

On December 4, Presley dropped into Sun Records, where Carl Perkins and Jerry Lee Lewis were recording, and had an impromptu jam session along with Johnny Cash. Though Phillips no longer had the right to release any Presley material, he made sure that the session was captured on tape. 

The results, none officially released for twenty-five years, became known as the "Million Dollar Quartet" recordings.[119] The year ended with a front-page story in The Wall Street Journal reporting that Presley merchandise had brought in $22 million on top of his record sales,[120] and Billboard's declaration that he had placed more songs in the top 100 than any other artist since records were first charted.[121] 

In his first full year at RCA Victor, then the record industry's largest company, Presley had accounted for over fifty percent of the label's singles sales.[112] Leiber and Stoller collaboration and draft notice Presley made his third and final Ed Sullivan Show appearance on January 6, 1957—on this occasion indeed shot only down to the waist. 

Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity.[111][122] In any event, as critic Greil Marcus describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a pasha, if not a harem girl. 

From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing Rudolph Valentino in The Sheik, with all stops out."[97] To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "Peace in the Valley". 

At the end of the show, Sullivan declared Presley "a real decent, fine boy".[123] Two days later, the Memphis draft board announced that Presley would be classified 1-A and would probably be drafted sometime that year.[124] 

Each of the three Presley singles released in the first half of 1957 went to number one: "Too Much", "All Shook Up", and "(Let Me Be Your) Teddy Bear". Already an international star, he was attracting fans even where his music was not officially released: 

The New York Times reported that pressings of his music on discarded X-ray plates were commanding high prices in Leningrad.[125] Presley purchased his 18-room mansion, Graceland, on March 19, 1957.[126] Before the purchase, Elvis recorded Loving You—the soundtrack to his second film, which was released in July. It was his third straight number-one album. 

The title track was written by Leiber and Stoller, who were then retained to write four of the six songs recorded at the sessions for Jailhouse Rock, Presley's next film. The songwriting team effectively produced the Jailhouse sessions and developed a close working relationship with Presley, who came to regard them as his "good-luck charm".[127] 

"He was fast," said Leiber. "Any demo you gave him he knew by heart in ten minutes."[128] The title track became another number-one hit, as was the Jailhouse Rock EP.[129] Elvis embraces Judy Tyler Presley and costar Judy Tyler in the trailer for Jailhouse Rock, released in October 1957 Presley undertook three brief tours during the year, continuing to generate a crazed audience response.[130] 

A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed".[131] Villanova students pelted the singer with eggs in Philadelphia,[131] and in Vancouver the crowd rioted after the show ended, destroying the stage.[132] 

Frank Sinatra, who had inspired the swooning and screaming of teenage girls in the 1940s, decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. 

It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore."[133] Asked for a response, Presley said: I admire the man. He has a right to say what he wants to say. 

He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago.[134]